“Since the exhibition spaces are only slowly taking shape and the exhibition and initial presentation of the collection are being planned at the same time, working with cura^3D museum pro is indispensable. The virtual rooms open up an initial sense of space, which is essential for planning exhibitions.”

Lea Schäfer,
Kuratorin am Museum Reinhard Ernst in Wiesbaden

“Taking the pictures independently with a high-tech camera was an interesting experience. I was initially amazed that the system could be operated without technical knowledge. The pictures turned out very well, although the room with its large window fronts is not easy to photograph. The image quality of the panoramas and the content management system you developed were very well received by us in the house.”

Dr. Isabella Hodgson,
Digitale Kuratorin am Deutschen Schifffahrtsmuseum Bremerhaven

“It is wonderful to be able to give exhibitions that we have worked on for years a life after dismantling through virtual tours.

For projects that are significant for the history of our house, such as “Torn Modernism”, the aspect of archiving also plays an important role for me. “

Dr. Eva Reifert,
Kuratorin am Kunstmuseum Basel

The visions of cura^3D coincide with our ideas of innovative, digital museum offerings.
With the 360° Interactive Tour photo, we were able to put our special exhibition “Picasso, Chagall, Jawlensky” online as a virtual tour in record time.
Our works should be presented in the digital space in the best possible quality.
Thanks to the support of cura^3D, we succeeded.

Bernhard Witz,
Leiter Digitale Anwendungen am Kunstmuseum Basel

“Due to the corona-related hygiene and protection measures, schools in Lower Saxony were not yet allowed any field trips before the summer holidays.
By planning the project digitally, we could easily work in the schools without having to be “on site”. In addition, we were able to
“pick up the students where they are” and integrate the digital media into teaching and learning processes in a meaningful and reflective way in terms of art didactics.”

Kristina Sinn,
Vermittlung, Kunstverein Hannover